I've just returned from Vienna. For me, Vienna is not only one of the greenest cities in Europe, but also the capital of friendliness and courtesy, serenity and tolerance. Everything goes off when you respect the others.
The wine tavern in Stammersdorf I came in the second glass of wine to ponder. Why do I only want the crispy roast pork does not taste quite as good as it actually is? After the third or fourth bite the realization dawns:
The knife is so blunt that it presents great difficulty the noisy-crispy crust (wine consumption promotes alliteration) to divide. A kingdom for a sharp knife! (Click to read on the title!)
And some objectively good word can not really taste good if the reader needs a visual aid. Reading is at least as much trouble as the cutting of a rose-Crusted Pork Roast! Technically good typography increases the enjoyment, because he makes. Like a sharp serrated knife. This starts with the size of the font and line spacing (very easy) and ends with the selection of the font (more difficult) and the semantic typography (rather challenging).
Easy, easy! Of course I respect the conventional wisdom that says, Typographic design has to do with the writing of successful texts as little as the perfect preparation of a pig roast with the sharpening of knives. In the (re) think outside the box on the table splattered with sauce, you can also go to other insight.
bring shame,'s still a glass of wine, bitt'schön!
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